
Every year I enjoy this more and more. Merry Christmas. Click here for happy holidays!!
HOLIDAY BOOST: A sampling from 2010 of average shares as radio stations that temporarily switch to all-Christmas see ratings soar.
New mobile marketing techniques and smartphone technologies are driving a unique 'virtual scratch-and-win' contest.
Smartphones users interact with the content through the touch screen capabilities of their device, while HTML5 coding and mobile connectivity are used to support customer interactions and document their contest entries.
Yellow Pages Group and Cossette are running the interactive contest under the theme 'Scratch and Win!' now through mid December.
Caroline Morin, Cossette's Director of Communications, told Mediacaster Magazine that the mobile application experience and programming were executed by the Cossette digital team, describing the contest interface as "a rich mobile banner that can be accessed within the app.
"What we tried to reproduce is an experience that comes as close to reality as possible to the physical scratch contest. So the touch screen sensitivity is key indeed. The faster you scratch the faster it appears!"
Users opt-in to the contest and agree to share certain data with contest operators through a basic sign-up form, Morin explained. Social media connections are also established with customers through the contest.
Participants have a chance to win a daily cash prize throughout the month-long contest. Users who also share the contest across their Facebook page become eligible for a $5,000-travel package grand prize.
We continue to hear and read about the "occupy" movement. My view is (and this won't be a surprise) right wing. I wonder.....do they really have issues? If they do, and you asked ten random campers in the tent cities what those issues are, could they tell you? Or are they just sort of....there.
I found this comment interesting too. What do you think?
"The protesters, the demonstrators here in Calgary, have made a mistake. And the mistake they've made is they've let it become about the tents to the point we're no longer talking about the message, if any, the demonstrators have and I think that's a real shame because they had a beautiful opportunity and they have let it go away.
"I'm not saying it can't be saved. I'm not saying there is not an opportunity to continue the discussion on the important issues that matter, but here it's become about the tents and people pooping in the [Olympic] plaza and all sorts of exciting things like that instead of about issues of social justice in the community, and I think that's a real shame."
— Calgary Mayor Naheed Nenshi
Social networking is no longer the exclusive domain of youth. While younger online Canadians aged 18 to 34 years (86%) are the most likely to have a social networking profile, other age groups are not getting left behind, as a majority (62%) of those aged 35 to 54 now have profiles and a good portion (43%) of those 55 years and older have one too.
What is more significant is the dramatic increase in the frequency in which they are using social networks. Nearly one-half of online Canadians (45%) are now visiting a social networking site at least once a week, and 30% visit daily, which compares to 35% who were visiting weekly, and 19% who were visiting daily this time last year. Momentum continues to grow as well, as 32% of those who have an online profile admit they are using it more than last year.
The death of radio is greatly exaggerated, writes Michael Hedges in a piece adapted from his presentation to the Brave New Radio conference last week.
His look at the state of the medium across Europe comes up with some positive, and surprising, results.
"In virtually every audience survey in Europe radio listening is up," he writes. "Not simply up, but at record levels." He continues:
"In the last 30 years we've seen an absolute explosion of radio channels and stations. Within the 44 countries in the UN definition of Europe... there are roughly 15,000 broadcast radio outlets, about one for every 50,000 people. Ten years ago there were half as many."
He also takes on board the rise of the internet and its beneficial effect.
Essentially, his message is that radio is a first-class example of participation between broadcaster and audience. One examples he cites is Italian radio:
"Italian broadcasters have integrated radio and social media in amazing ways. Entire programmes are constructed in real-time around listener interaction.
Everyone Has A Story Questionnaire
We are looking for people to participate in a FUTURE SEGMENT for the HEARTLAND AT NOON called “One Great Story”, in which audience members share a funny, unique story with Carns on the program.
The idea behind this segment is simple: Everyone has at least one great story! Maybe you have one hilarious, knock’em dead story that you love to tell at parties or family gatherings. Like for instance, do you have a great vacation/celebrity/family story? Perhaps something odd, wacky or unusual happened to you on your honeymoon…or on a family vacation …or in college or high school…or at home or at work. Please bear in mind that great stories have a beginning, middle and end, are loaded with juicy details and are compelling. Also, your story doesn’t necessarily have to be funny. It can be heartwarming and compassionate. The important thing is that it’s compelling.
If you have a terrific story and want to be a part of a FUTURE EDITION of the HEARTLAND AT NOON, please provide the following information:
YOUR NAME: ______________________________________________
HOMETOWN:_______________________________________________
OCCUPATION: _____________________________________________
YOUR STORY: _____________________________________________
___________________________________________________________
___________________________________________________________
____________________________________________________________
____________________________________________________________
____________________________________________________________
____________________________________________________________
HOME PHONE: ___________________________________
EMAIL: __________________________________________
CELL PHONE: ____________________________________
Just a suggestion for picture usage. When we have a story about a car accident, we use a picture of a police car. A fire? We use a pic of a fire engine. It's all very generic, and really which Emergency Service is called out to the scene isn't the most relevant part of the story.
A suggestion?
Lets use google technology and at least use google satellite or google earth to put a picture of where it happened.
Make sense?
Yes, it does.An average person on our modern economy spends ever more time on basic
tasks of managing information, and ever less time producing creative
ideas and truly useful knowledge.
Its something to consider when sending more information to the masses.
You advise on the best ways to use “push” and “pull” technology. Can you define what those are?
“Push” marketing is when you are controlling the mechanism, the timing, and the quantity of what you’re sending to people. You push out email; you push out your tweets.
“Pull” marketing is when you have to convince people to return to your website, return to your Facebook page, and so you have to attract them continuously.
Both have a place in enchantment. Twitter is a very useful tool for enchanting people as is a great Facebook fan page.
Let’s talk about each of them. In terms of “push,” you mentioned Twitter. What are a couple of great Twitter “push” tactics to promote enchantment?
With Twitter, I think the key is that you tweet out interesting links and that you are seen as the source of stories and pictures and video that other people would not have found in your particular area of expertise.
So, if you’re an expert in radio, you should be tweeting out the great interview about the future of radio and what it means in a world with Pandora, for example.
The second thing is something many people do not agree with. I think you need to repeat your tweets to make them effective. You’re in radio. You can’t assume that the person who listens to your station at 7 a.m. is also going to be listening at 7 p.m. So if you push out something interesting at 7 p.m. through Twitter it’s unlikely that the same the person who uses Twitter at 7 a.m. will see it.
You need to repeat it.
Very often the radio station with the most repeats is among those with the highest ratings.
Yeah, I rest my case.
What about great tactics for “pull”?
For “pull” marketing, it’s all about generating great content that you have a real reason for people to come back for – there’s new stuff available all the time.
There’s value, there’s information, and the common thread of “push” and “pull” is that “content is king.” it really is.
And new content is king. It could be photos, it could be video, or it could be the interaction of the community. It’s not necessarily true that you have to provide all the content; because you can have very, very interesting forums, but ultimately “content is king.”
Why doesn’t radio get more love given (as we’re always reminded) that almost everybody listens to it almost all the time in almost every place?
This is one of the industry’s greatest frustrations, and it’s particularly frustrating when advertisers and others in the know echo themes popular in the cultural ether. Themes like “Pandora is really cannibalizing radio” and “Sirius XM is really eating your lunch.”
This is a problem I discussed at length with marketing blogger extraordinaire and best-selling author Seth Godin in a conversation that will post to this blog soon.
Usage, Seth told me, is not the issue. Attention is the issue. And attention is shifting and shifting fast in large part because attention follows novelty, as anyone who has ever listened to or programmed a Top 40 station knows.
Attention follows novelty. Consumers hunger for what’s new even if their habits have yet to catch up with their attention.
The problem is that “habit” is about history while “attention” is about the future. Attention points the way for future habits just as a car’s future is where it’s heading, not where it has been, no matter how long it has spent there.
Attention is what we see reflected on the lips of agencies who profess the myth that Pandora is more important than radio. Attention is what we see reflected in stories on CNN and in the Wall Street Journal. Attention, powered by novelty, is what consumers spread amongst themselves, it’s what they talk about with each other.
Radio’s vast usage is at risk as long as its attention deficit persists. And its attention deficit will persist as long as radio clings to vast usage as its best story.
It will persist as long as radio surrenders novelty to startups and streaming pure-plays and innovators whose primary concerns are the passions of consumers rather than the demands of an industry which takes those consumers for granted.
If you want to fix radio’s attention deficit, forget about vast usage. Instead, open to novelty.